Everything I do revolves around cinema.

I work with film through observation — capturing fragments of reality and shaping them into cinematic form. 

Every day, I sketch ideas, capture locations during courier shifts, and film a video diary. I treat my life as material for film, choosing environments and experiences that can become part of future stories. 

I’ve worked at Tsukiji fish market, traveled to the Noto Peninsula to film a documentary after the 2024 earthquake, and spent time in Russia conducting street surveys in low-income neighborhoods. 

All of it — different jobs, roles, and places — serves one direction: making films.